If I go to the Billboard Hot 100, it gives me Love Is Here And Now You’re Gone by THE SUPREMES, #1 for just a week. Oh, thanks a lot.
But that’s for the week of March 11, because of the way they calculate these things. What about if I cheat and pick the week before, which actually runs through my natal day? That would be Ruby Tuesday by THE ROLLING STONES. At work, my on-the-phone day has been Tuesday for many years, so maybe that’s significant.
Hey, maybe I should look at the soul charts. (Sigh). Same sad SUPREMES song. But for the FOUR weeks before, there’s Are You Lonely For Me by Freddie Scott. I had heard it, but I don’t KNOW it like I recognize the others. Probably it’s because it only got to #39 on the pop charts.
His best showing on the POP charts was Hey Girl, a song written and composed by him, Gerry Goffin and Carole King, which went to #10 on both the pop and soul charts in 1963.
Not incidentally, the Billboard R&B charts were not published between November 30, 1963 and January 23, 1965, ostensibly because there was so much crossover, though the breakout of both the Beatles and Motown in 1964 would suggest otherwise.
Freddie Scott’s next two top 100 pop hits were I Got A Woman, #48 pop in 1963 and Where Does Love Go, #82 pop in 1964. They did get to #27 and #30 on the comparable Cash Box R&B charts.
The “correct” song on the country charts for me is The Fugitive by Merle Haggard. But the song that was #1 for two weeks before March 11 AND the two weeks afterwards is Where Does The Good Times Go by Buck Owens, not only a sad lyric, but ungrammatical to boot.
Chuck turned 14 in 1977. Poor Chuck.
Conversely, Dustbury was born correctly.