In the early 1990s, Paul McCartney appeared on Later with Bob Costas, a late night program on NBC-TV. The host asked Paul what Beatles covers that he most enjoyed. We Can Work It Out by Stevie Wonder was named, as well he should.
Paul also mentioned Roy Redmond’s version of Good Day Sunshine, which he acknowledged was a rather obscure track. In fact, the ONLY reason I know it is because it appears on one of those Warner Brothers Loss Leaders that I collected in the 1970s. COOK BOOK, from 1977, focused “on Warner’s black acts,” which were negligible only a few years earlier.
This version was released as Loma 2075 way back in July 1967. The B-side of the single was That Old Time Feeling. Oddly, It would appear that Roy Redmond recorded two 45s – both on Loma… – and then, mysteriously, nothing more.
The other single, from April 1967, was Ain’t That Terrible/A Change Is Gonna Come. Yes, the latter is the Sam Cooke song.
“Loma Records was established in 1964 in order for Warner Brothers to capitalize on the emerging soul market – but almost exclusively as a singles label. Bob Krasnow, who ran the San Francisco branch of King Records from 1958-1964, was tapped by Warner Brothers to run Loma Records from its founding until the label ceased operations in 1968.”
Redmond’s Good Day Sunshine was in the middle of three Beatles songs on COOK BOOK, codifying yet again that the effect black music had on the Beatles was reciprocated.
Randy Crawford’s version of Don’t Let Me Down appears on her 1976 album Every Must Change. The Long and Winding Road was a 1976 B-side to a song called Hurry, Hurry by New Birth, “the Detroit band that helped invent American funk music.”